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@ Francisco Luis
2023-12-29 12:32:00Posthumous work of the Colombian poet born in Don Matias on January 20, 1948
. Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares (my father), born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection 'Sonnets For The Twenty First Century And A Circadian Musical (1984-1987). Analyzed with GPT4 artificial intelligence and illustrated with AI tools... I hope you enjoy this garden of words snatched from the solitude of a locked room.
Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares' work, as it is a collection that, although registered since 1989, has not yet been published.
Frank Duna
Analysis "A Collage"
Introduction
"A Collage" is a complex and multifaceted poem that weaves together a diverse range of images and themes. It offers a vivid exploration of the intersection between the natural world, technology, spirituality, and art. The sonnet's structure and use of figurative language contribute to its overall impact, making it a thought-provoking piece that invites readers to interpret and reflect upon its various layers of meaning.
Thematic Analysis
The octave (first eight lines) presents a chaotic and dystopian vision of the world. It starts with a mix of natural and artificial elements (“Hybrids, seasonal plants and thoughts of stars”) and progresses to depict a world in turmoil, with battleships lost in a storm by Mars, screams taking over sense, and radiation multiplying. The octave ends with a bleak image of a world where there’s “No more levitation or bread, just cars.”
The sextet (last six lines), on the other hand, shifts the focus to human emotions and experiences. It starts with “Yearnings, rebellions, holocausts and death,” indicating a struggle and loss. However, it also includes sensual and vivid imagery such as “Lithe bodies shakin the claws of the pards” and “Sweat, wine and Phoebe orbing throughout dusk.” This suggests a sense of resilience and the continuation of life amidst chaos and destruction.
Overall, the sonnet seems to explore the contrast between a dystopian world and the enduring human spirit. The octave sets up a bleak and chaotic scene, while the sextet introduces a sense of hope and resilience through vivid and sensual imagery. This contrast creates a powerful commentary on the human condition and our ability to endure and find beauty even in the midst of chaos and destruction.
Structure and Rhyme Scheme
The Italian sonnet is divided into an octave (the first eight lines) and a sestet (the last six lines), usually with a rhyme scheme of ABBAABBA for the octave, and CDCDCD or CDECDE for the sestet.
Now, let’s look at the rhyme scheme in this sonnet “A Collage":
Octave:
Line 1 (A): Hybrids, seasonal plants and thoughts of stars Line 2 (B): Through evening rainbows dance in a collage; Line 3 (B): Battleships, the deep, an erased rivage Line 4 (A): Humans and spaceships lost in a storm by Mars. Line 5 (A): Chemical gods, lips, wild skirts and guitars Line 6 (B): Screams taking over good sense and menage Line 7 (B): Radiation multiplies fusilage Line 8 (A): No more levitation or bread, just cars.
Sestet:
Line 9 (C): Yearnings, rebellions, holocausts and death Line 10 (C): The torn flags and people with no more faith Line 11 (D): Leviathan ghosts, whale songs and their musk. Line 12 (E): Lithe bodies shakin the claws of the pards Line 13 (E): Next to a stage with shining leotards Line 14 (D): Sweat, wine and Phoebe orbing throughout dusk.
This sonnet appears to follow a modified version of the Italian sonnet structure with an ABBA ABBA octave. However, the sestet follows a CCD EED structure which is not typical in traditional Italian or English sonnets. This variation in rhyme scheme gives this sonnet its unique rhythm and flow.
Analysis of Aspects
In addition to analyzing the rhyme scheme, there are several other aspects of the poem worth examining to gain a deeper understanding of its themes and message:
Language and Imagery: The language used in Sonnet 32 by Francisco Luis Arroyave Tabares is rich and evocative, with a strong use of imagery. The sonnet is filled with vivid and striking images, such as “Hybrids, seasonal plants and thoughts of stars,” “Chemical gods, lips, wild skirts and guitars,” and “Lithe bodies shakin the claws of the pards.” These images create a surreal and dreamlike atmosphere that enhances the themes of the poem.
Themes: The sonnet explores several themes, including chaos, destruction, resilience, and the enduring human spirit. The octave presents a dystopian vision of the world, filled with chaos and destruction. However, the sextet introduces a sense of hope and resilience, suggesting the ability of the human spirit to endure and find beauty even in the midst of chaos.
Meter: The sonnet appears to be written in iambic pentameter, which is the most common meter used in English sonnets. This means each line typically contains five pairs of syllables, with the stress falling on the second syllable of each pair. However, there are some variations in the meter, which add rhythmical interest and complexity to the poem.
Overall, Sonnet 32 is a powerful and evocative poem that uses vivid imagery and complex themes to explore the human condition. The contrast between the chaotic imagery of the octave and the more hopeful and resilient imagery of the sextet creates a compelling commentary on our ability to endure and find beauty in the face of adversity. The use of the Petrarchan sonnet form, with its distinct rhyme scheme and volta, enhances the thematic contrast and adds to the overall impact of the poem. The variations in meter add rhythmical interest and complexity, making the sonnet a rich and rewarding read.
(GPT4)
Syllable count for each line.
``` A Collage
10 Hybrids, seasonal plants and thoughts of stars 10 Through evening rainbows dance in a collage; 10 Battleships, the deep, an erased rivage 11 Humans and spaceships lost in a storm by Mars.
10 Chemical gods, lips, wild skirts and guitars 10 Screams taking over good sense and menage 10 Radiation multiplies fusilage 10 No more levitation or bread, just cars.
10 Yearnings, rebellions, holocausts and death 10 The torn flags and people with no more faith 10 Leviathan ghosts, whale songs and their musk.
10 Lithe bodies shakin the claws of the pards 10 Next to a stage with shining leotards 10 Sweat, wine and Phoebe orbing throughout dusk. *** ```
Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)
Analyzed by GPT4; Image by leonardo.ai; First published on Nostr Protocol by franciscoarroyavet@nostrplebs.com
A Collage