@ Davi Pinheiro 🇧🇷

PROSE ESSAY ON ANALOG PHOTOGRAPHY It is important to say that my fascination with analog photography does not prevent me from recognizing the importance of digital photography. If it were not for this, you would not be seeing my artworks that have been digitized… In the same way that my fascination with the typewriter does not prevent me from having this and other pages on the internet. Part of my book FUNDAMENTAL PHILOSOPHY was written thanks to the inspiration of the typewriter. As in the chapter on what evolution is, I wrote it entirely on my Olivetti Studio 46, because there was no power: which made me reflect on whether the computer really is the evolution of the typewriter. Another example was the inspiration that the beautiful rounded shapes of my Érika typewriter gave me, which ended up resulting in a beautiful performance that I named Passion Erotic. That is why I believe that analog equipment does not overshadow our creativity, and in photography it could not be any different. In the set of analog photographs below, I used a Canon T50, a 50mm lens and Kodak Pro Image 100 film, which was self-photographed in a mirror. Let's see: In the photo below, I used indirect yellow light from the top right to the bottom left. The blur around the camera was intentional, with the aim of making it seem like she was looking at the world through the camera lens. In this case, she was looking at herself. Even though the wall and the mirror are on the same plane, the depth of field of the mirror is different, which is why this effect was possible. Special mention should be made of the “eye” of the diaphragm. It must have opened up to f5.6, since the light was not very strong. If the light were stronger, the diaphragm would have opened to the minimum f16, which would increase the depth of field and prevent the intended blur. The result was achieved, at the same time that the camera appears, this photograph transmits this subliminal message: https://image.nostr.build/a7cbfbe68a4bb89ae731c360c373ac8eff7599a5a100d13035eb234b5d788626.jpg PERFORMANCE Performance is the name given to the mixture of more than one artistic language (visual art, music, theater, etc.) by clicking on https://davipinheiro.com/id/performance/ you can see all my performances. In the examples below the mixture was made by the mixture of visual arts created by me and captured by analog photography, let's see: The photo below is of a terrarium that I created in a tree trunk, plastic art. To photograph, I used yellow light from above, the blur was to highlight the object, with special emphasis on the reflection of light on the glass to give a three-dimensional notion of something transparent: https://image.nostr.build/e8026f9e99fa16631959954f8bb925af6f1764911f0a315ab0125bb413e3e89b.jpg In the photo below, the same process as in the previous photo, also using a Canon T50 with Kodak Pro Image 100 film and a 50mm lens, differentiating the framing and the direct frontal light: https://image.nostr.build/4c44a0baf2b5ddaf63f83420952ab1b2e84f7df292f8e413a65f8134a2e7db58.jpg The photo below portrays the creation process of the work. Ironically, in this photo, my Clownface rooster, even though it was out of focus in the background, stood out, appearing to be standing on a log: https://image.nostr.build/d0d5e73ecbcdefa79ffd858d0143f41915c9deab7864d271d5ee724b3927f9bc.jpg The photo below is of the original hazard lights from my super DT200R (long live 2-stroke engines!) that fell off after a trail, lol. The idea in this photo was to make the sun appear to be turning on the warning light that should appear to be floating in the sky. Unfortunately, I was not successful, because the wires that were hanging the object ended up appearing. The calculation capacity of the Canon T50 and its shutter speed, the sharpness of the lens and the resolution of the Kodak Pro Image 100 film, which managed to capture even the small transparent nylon threads, are impressive. I thought the photo would be blown out and the wires wouldn't show, but I was wrong. At least the framing was correct: the object was a little above the center to give a sense of altitude and slightly in profile to give a 3D impression. Who knows, maybe with a camera that allows you to adjust the shutter speed I'll be successful... https://image.nostr.build/808243d34b6dbeade25d38189163f9d58f6a12da9d00df17c85651d501e1bed8.jpg The photo below is my favorite performance with analog photography, because I photographed the first painting I ever painted, whichI named it Elipsoíris, which later became the cover of my book FUNDAMENTAL PHILOSOPHY. So here we have three profound artistic languages ​​in the same performance: The painting that became a book photographed analogically. The idea of ​​this performance was to frame the blurred painting, which can only be seen with the right eyes, hence the lens. I used natural light and an old eyeglass lens. Special emphasis on the two points of light that reflected on the lens, looking like two eyes. This was not planned and gave a special touch to the photograph, allowing for several interpretations. This is the object of art in general. I was very happy with the result: https://image.nostr.build/6bb5b802b3ad1bb7262b925225fcfb0b8b00654fa0fec240be57f648c32245af.jpg I consider the analog photograph below to be a performance because it is not a common photograph of landscapes, flowers, architecture, animals or people, it aims to convey a message. Using only natural light, I adjusted the focus of the Canon T50 to the lenses of my own glasses and chose a particularly cloudy and dark day to symbolize the difficulties we all go through in our daily lives, when we believe for a moment that the lights are off for us, until with the right glasses we can see the horizon more clearly. The glasses can be the word of God or anything else that illuminates and enlightens you. This photograph will certainly be put to good use in my future writings: https://image.nostr.build/b44b573bb39cdf5f2eb446e818bbf59d5dab9d3815ac6e917440b2f6b1ff431c.jpg DOUBLE EXPOSURE Here is a resource that is inherent to analog photography: double exposure. This involves taking more than one photograph on the same film so that the images overlap. With this method, we can simulate movement in a single photograph, create montages of flying saucers, etc., in short, the imagination is the limit, let's see: In this analog photograph below, a quadruple exposure occurred, as I took four different frames on the same film. It was especially difficult to do because the Canon T50 does not have this feature, so I had to trick it by pressing the film rewind button at the same time as I took the camera. Since I was using Kodak Pro Image film, which has a 100-wing, I also set the camera as if I were using a 25-wing film, so I knew I could shoot four times without burning the film. I asked the model (my mother, lol) to stand in three different positions to give the impression of movement, and not satisfied, at the end I even photographed the sun. I loved this photo: https://image.nostr.build/5f8e2962e2ee94259d4dd5d3b777976a4d20ba293a5a4e68e81e30a0e1975543.jpg MACRO OR CLOSE-UP PHOTOS I believe it is possible to obtain an analog macro photograph even without a special lens, it all depends on the little piece that is behind the camera: you, lol. We should try, if we don't get a macro photo, at least we'll get a close-up, let's see: In the photo below there is a tiny mushroom that grew on a ravine, it appeared clearly in the negative, even without using a magnifying glass, so I consider it a macro, in fact it's just a fun photo: https://image.nostr.build/02aa4bbdc0cf54519b694c75237693fc2a6569fe4f3167220b05c7498757b822.jpg The photo below is just a close-up, the nest is especially deep, hence the slight blur on the eggs: to give a sense of depth. The focus of the four corners of the box is well adjusted to give a three-dimensional notion of the object: https://image.nostr.build/24e5dcdd0e5a3560b341fe4f0d0d93b7d562f2d58054ac308a8e312c2707100c.jpg THE FIRST FRAME OF THE ROLL In analog photography, each roll of film gives us at least one very specific type of artistic photograph. This is the first frame of the roll, where there is a partial overexposure. This is due to the incidence of light directly on the film when we are loading the camera with the film. Most analog cameras only start counting the frames after a few shots to avoid this. It is up to the photographer to know how to take advantage of the frames that exist before number 1, framing the scene normally and shooting before number 1. The results are almost unpredictable and generally interesting. Below is a fantastic analog photograph because the overexposure of the first frame of the roll almost always occurs at the ends of the photo and in this one it occurred in the middle. To achieve this effect, I loaded the camera in the dark and turned on the light at the exact moment I was closing the camera lid. For a fraction of a second, the first frame of the roll was partially exposed to the light. I knew I would get a different photograph. I never imagined that the overexposure would appear in the middle of the frame, very curious: https://image.nostr.build/a2e08aab686af64df949e83b4ff3b0a00952698a7a138412f7753ebc0dd63d1f.jpg In the photograph below, I repeated the same process as before. Since the time between turning on the light and closing the camera was different, the overexposure was clearly visible in the photograph. photo shake. Special mention should be made of its incidence on the right side, when it should be on the left side, since in the Canon T50 the film runs from left to right. This apparent inversion of sides occurred because I photographed with the camera upside down: https://image.nostr.build/270681be8de71b6c833507dda6bfe4b5233c9b871aa97ea8fc2ebdcdd46a682a.jpg ACTION PHOTOS Capturing an action with analog photography is especially difficult if the camera does not calculate the aperture and exposure time automatically, because everything happens very quickly and you do not have time to think about it. Fortunately, the Canon T50 is very good for this type of photography, I only had to worry about focus. This camera made me sweat to make the double exposures above, it captured this memorable moment with ease, let's see: In the photo below, when I saw this group of brave people paragliding, I ran to ask for permission to photograph them and quickly loaded the camera. I started photographing even before the camera recorded the first frame of the roll, having obtained this beautiful overexposure effect of the first frame of the roll: https://image.nostr.build/8e32e22d3bf7c897d7111e85555146e38bb139985c50b2795fe809b31880c7d8.jpg The photo below was the third of the roll. I took care to frame both the paraglider's flight path and this beautiful Veraneio, which describes in a single photo the adventurous spirit of the group. Notice the sun reflecting on the clouds, how beautiful it all is: https://image.nostr.build/5bf0444e4621406d858ab70725c1ee2f6a7e39b87663e23a18085a32b9a06f6a.jpg In the photo below, I had to take another one of this beautiful Veraneio. I'm passionate about engines and mechanics, and it almost stole the show, lol. Special mention to the detail of the car and the camera that photographed it, which are from the same period, a sensitive return to the past. This photo is a true time machine. If I didn't say that this photo was taken at the end of 2020, I could say that it was a photo taken of a brand new Veraneio from that time, our little secret, lol. https://image.nostr.build/f5284ff30986ad84d22f137e0a330067f91564907da8acf04c9eb93a991cbcf2.jpg In the photo below, returning to the scene, now from the right angle lol. This was the second photo, notice the presence of the overexposure effect from the first frame. Here the camera was marking the first frame, poor thing lol https://image.nostr.build/5c1d73f7d802fd1f730427e29f921c82e410c5dce3112a3133d6fce294d310c6.jpg In the photo below the light was perfect, the sun was shining behind me, shining frontally into the frame of the photo, this one is beautiful: https://image.nostr.build/156fc878dd18257ad1f59d1b5d3fd719c7e773937356fad6ea09b0ce1f151f12.jpg Paraglider almost in flight position, the photo was almost perfect because the moment on the screen was the Golden Hour, the moment at dusk when the sun's position turns the sky golden, a phenomenon much loved by analog photographers; even digital ones too. Even so, I wasn't satisfied, I wanted to take a closer picture. I zoomed in quickly and you can see the result below: https://image.nostr.build/b1f610695bd57db8abe7408df318978b6e69e85fe620a589b12fb9bcaae66156.jpg Below is the simply perfect analog photograph, sun in the right position, golden hour, perfect framing and focus, everything right, universe conspiring in my favor... I won the day without knowing it. I only found out after I developed it. The ground wasn't cut, the paraglider pilot was already on the uneven ground ready to jump: https://image.nostr.build/93a7e416d11c996b65a32b019667a43124d96985109d34fd1a9b239ef365bbfe.jpg Below the jump... I had to run to the ravine to zoom in, another perfect photo at the golden hour: https://image.nostr.build/f254c2e71863a233816b517564dd5fb7fe85ee0bd927b02687fba43bde53dcd6.jpg ANALOG PHOTOGRAPHY OF ANIMALS It's especially difficult to get an animal to pose for us, we have to have some food to negotiate lol. If the Canon T50 didn't calculate the exposure by itself, it would be even more difficult because the moments are very fast and you don't have time to adjust the aperture and exposure time, I only had to adjust the focus. Another point for this remarkable camera that made me get caught in the double exposure above. Analog animal photography is also a type of action photography, we have to be quick on the trigger, let's see the results: Below again I zoomed in getting really close, a real photographer has no fear, everything for art! https://image.nostr.build/5f0af116b1fd81edb3f21dfd5d7cce6c534751ac8660bd5fb58ce08c652d8aaf.jpg Below, focus on the background. I ended up catching both of them in profile: https://image.nostr.build/fbd78fcf71749569444d3438e0d5283d321fc3f3350cacc6e4a3e9a0cdc914f5.jpg Below, focus on the background. Here I caught both of them looking at me and saying xiiiis, lol. https://image.nostr.build/3a1f50ee1e3c6213b337654e69ee23819ab60100c8a1a049ee0b2b66fac0d8f8.jpg Below we can see that the Canon T50 light meter is matrix and not point tual, because the center of the photo had much more light than the corners: https://image.nostr.build/11a8a5a7ff14a661755f04f743d70d3dd1a9d11e412791ce42f5cbf1da1c6be2.jpg Below is a beautiful photo: Cavalo da Montanha. I was waiting for the Golden Hour to arrive, too bad that when it arrived the model didn't want to be photographed anymore lol. https://image.nostr.build/83429975966cb4b0e71e5e089651d4585513d823fea404014b0b78b21e859302.jpg Below is a beautiful close-up profile with a completely blurred background. Absolute black, the photometry is perfect: https://image.nostr.build/f36aed8fa89b6ba81dd77c7d3b32c24424483e626a9634cbadb16baf91427d66.jpg Below, there are a lot of things happening at the same time: the chickens eating, the corn being thrown, the photographer's shadow... To get this photo, I threw the corn up in the air and had to be as quick on the trigger as Kid Morengueira. You can see in my shadow that I'm only holding the camera, the pot of corn had already flown far away lol. I chose a sunny day so that the Canon T50's light meter would use the maximum possible shutter speed, making it possible to freeze the corn in the air without much blur. https://image.nostr.build/d566e46a8a3cba8855e80295910e5addb0a8aa7735093c9f93f129cac2379472.jpg Below is a chicken hatching on a car wheel. Since I love animals and cars, to set up this scene I had to line an old car wheel to form a nest and wait, wait and wait... At the right moment Jurema felt confident enough to get into the wheel. She didn't even mind my presence because she was full of chatter, yes, I also had to negotiate with the chicken, that's analog animal photography lol. Note again that the Canon T50's light meter is matrix, because most of the photo was in low light and the sunbeam that came in blew out the photo. Also notice how close I was to the chicken, because I focused on its head and the rest of the body that was a little further away came out blurred. The camera was probably set to f1.8 at its maximum aperture and at a very slow shutter speed, which explains the shallow depth of field. Furthermore, if Jurema had moved her head when taking the shot, it would certainly have been blurry due to the slow shutter speed. In the end, everything turned out fine and my days of waiting for this photo were not in vain. https://image.nostr.build/d7484609c8ff9be05ee6d518def402f66484a02109dc96ef5c734b11216385bf.jpg ANALOG ARCHITECTURAL PHOTOGRAPHY In analog architectural photography, we must understand the basic concepts of lighting and fill. We only work with natural light, which must be used well to get a three-dimensional sense of the building. As Fernando Bagnola teaches, the three-dimensionality of the object depends on the incidence of light at three different points and with different intensities, something difficult to obtain with sunlight alone. Let's see: Below is the Eye Museum in Curitiba/PR. Since its front is dark and the sun was positioned behind the building, I had to position myself on its side, thus I was able to obtain a three-dimensional result, since the sun illuminated the top, reflected on the bottom with less intensity and there was almost no light on the front. If I were positioning myself in front of the building, the three-dimensional effect would be impossible: https://image.nostr.build/6f74c1c7e606f7950eaf45007868b92e9a0288722b3d5e580ecaa4930700e3ea.jpg Luckily, at that exact moment a group of young counterculture people (like me) were passing by, making the photo iconic due to the presence of young modern counterculture people contrasting with the modern architecture of traditional culture. My position in relation to the sun also favored the success of this photograph, having correctly illuminated all points of interest: https://image.nostr.build/7c374205d7df21985a6a71c6c17e4f67ab29baf452f0cd406b869df94d68296c.jpg Below is an example of incorrect analog architectural photography. The framing was frontal due to the desire to capture the reflection of the buildings in the black glass of the “eye”: https://image.nostr.build/f9a0869a165bc7e634944c01e59085203347ab6c353610bdcaace30ee3ed8d8a.jpg Below is the Pantheon of Heroes in Lapa/PR, a monument erected to guard the bodies of soldiers from the republican forces who perished during the so-called Siege of Lapa, a battle of the Federalist Revolution of 1894. Here the day was cloudy, the perfect moment to photograph such sad architecture as this. I didn't care about the three-dimensional issue, because it was impossible, there was no sun. I wanted to portray the sadness in the photo. The film used was the same (Kodak Pro Image 100). Here we can see that the chemistry of this film is adjusted to the yellow light of the sun as absolute white, as the sky was cloudy, the natural light was at a cooler temperature which pulled the tone more towards blue and the purple in the photo must have been the ultraviolet rays. If I had been using an ultraviolet filter the photo would probably have come out more grayish. I remember that on that day It was all gray. Anyway, I loved the purple tone in the photo. Here's a tip: you can get the same effect as a very expensive Lomochrome Purple film with a cheap film, just take the picture under these conditions: https://image.nostr.build/24f91369c12e83861f7eec38ff99f1869f08ae1eec06c798ccbe08af62263a2e.jpg Below again, the purple tone with a cheap film. To give you an idea, a Lomochrome Purple usually costs six times or more than a Kodak Pro Image 100, which costs R$30.00 to R$40.00 on the date this article was published on 04/09/21. Note that at the time of this photo, the clouds gave a break and some rays of sunlight passed through, giving a slight three-dimensional notion of the architecture. I should have been a little further to the left to make the most of the lighting. Even so, I felt happy with the sad photo, lol, because even with the yellow sunlight reflecting the Lomo-Violet effect, it happened: https://image.nostr.build/099a1a4d7857325e59f5b35805c0ebb5c3fa55af45de2096236f1dfbadca4d4a.jpg Below, it looks like the photo is poorly framed. And it really is. There was a very ugly electricity pole on the right side, I didn't want it to show up. I only worried about the lighting and I managed to get the sense of depth in the architecture. The photo is leaning towards yellow because the Federal University of Paraná in Curitiba is actually kind of yellow. https://image.nostr.build/48a4d517488fc1656e027568ad314688bc0fd9995e67289003f832eb904e5260.jpg Below, to finish the set of architectural analog photographs, there is nothing better than a cemetery. After all, we are all going to die one day. We should always remember this to make our worldly lives worthwhile. When we die, we take nothing with us except our evolutionary experiences, our graces and sins. We should leave a legacy, something positive for those who remain. Well, this was the context in which the photo was taken. For me, death should be avoided. When it happens, if we do everything right, we will go to the light. The darkness is here on earth. Therefore, unlike most photographers, I chose a sunny day to photograph there. I wanted to symbolize the light that awaits us after death. So I positioned myself inside the cemetery to photograph from the inside out. I waited for the sun to position itself so that there would be little light from the gates outwards, just like the world, leaving all the light inside the gates. Notice how small details make all the difference in an artistic analog photograph. This photo can be used to illustrate any material that corroborates this idea. If I wanted to portray that life is a thousand wonders and death is a sad end, I would have to be outside the gates with everything lit up except the inside of the cemetery. Interesting, isn't it? https://image.nostr.build/051592db1d3612c719621547a69bc8dfd0319d6b89656451d5b60582ae864e8e.jpg ANALOG PHOTOGRAPHY OF PEOPLE Basically divided into two types, the scene and the portrait. In the scene, the person poses for the photo without revealing their personality; it is an artificially created scene. A portrait, in the artistic concept of photography, occurs when we are able to capture the person's inner self. For example: if the person is sad, they will appear with a sad expression; if the person is happy, they will appear with a happy expression, but not necessarily smiling. If the person is suffering, their wrinkles, sloppiness and fears will be visible. If the person is funny, we will feel like laughing when we see their portrait. A portrait is something true and spontaneous about the person. If a sad person appears smiling, it is not a portrait, but rather a scene. Let's see: Below, in analog photography of people, the correct thing to do is to make the background darker and the foreground lighter. I wanted to do something different. I asked the model (My Best Friend) to stand with his back to the sun, because I had already seen that rainbow in the background. In this case, it was a portrait because my friend appeared smiling without me asking, and I know that he is a happy and funny person, because he is always telling jokes and his repertoire is endless. The interesting thing is that this is not a common portrait, but an artistic portrait, because I inverted the lighting of the planes and even captured a rainbow. It was a scene constructed for a portrait, an antagonistic idea for analog photography of people. As a result, I obtained a photograph that looks like a montage, where the image of the model had been pasted onto the landscape, such was the difference in lighting between the foreground and background. However, a small ray of sunlight that fell on the lower left flowerbed does not let me lie that the photograph is authentic. Furthermore, I have negatives that do not lie, lol. This was my favorite photograph of people, for the quality of the artistic result and for the person of the model. A big hug, my friend! I'm going to call this photo “My Buddy in the Square”: https://image.nostr.build/51db1df7741227dc2d86529bc9e7a93cf27365f0f2d7b591a4e84a9a05855dfb.jpg Below is me. It's just a simple scene because my expression doesn't show and not even my clothes reflected my personality. I set the camera's focus to 5 meters, handed it to my friend and counted a few steps back. I didn't worry too much about getting my position exactly 5 meters because the day was very sunny and I knew that the Canon T50 would open the aperture a little because of that, which increased the depth of field considerably. We can see the Federal University of Paraná in the background without any blur because of that. The damned pole that I tried to avoid in the architectural photo of the UFPR above ended up appearing here, but even so I liked the photo because of the color tone that only analog photography gives us. https://image.nostr.build/ce8af555274333fa8a26375247373ca92315e87d7414bcc9ad7b5a4840cb3a21.jpg ANALOG OBJECT PHOTOGRAPHY Analog object photography, like architectural photography, must follow the basic concepts of lighting to obtain a three-dimensional notion of the object. In addition, the scene set must match the object to be in tune with the natural concept of beauty, let's see: Below I wanted to photograph any object, so I took this knife. This object fits very well with the rustic environment of the countryside, so I stuck it in a tree stump overlooking the field, taking care to make it slightly twisted and give the three-dimensional notion. Naturally, the photo turned out well because the object is in tune with the scene. This must be the combination of analog object photography, for example. Unless the photographer is seeking to cause disgust by inverting the combination of the object with the scene. For example: to cause disgust, one can photograph clay in the shape of poop on a plate. Shit and food are completely opposite things and this inversion is naturally disturbing to any human being. There is a natural logic to combining objects with the scene. Finally, we can even combine more than one secondary object to create a scene for the main object, as we will see below with the coffee cup: https://image.nostr.build/6474901ce85d34aef3421ce5f720e258208c50aeb57e9893c8a750c6dc8fc1df.jpg In the photo below, the main object is a coffee mug. To create the scene, I used three other objects. The haystack that matches coffee, the lens cap of my Canon T50 that matches the effect of caffeine to think faster about the scenes I'm going to put together, and the succulent vase that refers to something rougher and bitter like coffee and the haystack. If the main object were a milkshake cup, instead of the haystack there would be colorful candies, instead of the camera lid there would be a napkin and instead of the succulent there would be a cute pink flower. Speaking of flowers, I will end this essay with the topic of analog flower photography to make everyone happy at the end: https://image.nostr.build/8e95c6bae536cfea47e3c5d44aa63725ab8fe20eacd1c6d5eeaae1720dd0a9e5.jpg ANALOGIC FLOWER PHOTOGRAPHY It is a type of photography free from analog photography, without many concerns for the analog photographer, we must only pay attention to the vividness of the colors and for this the day must be especially sunny. If it is an indoor photograph, preferably use warm light (yellow), the rest is just fun, let's see: https://image.nostr.build/fc8cf663300794761b0d8dc6f1a765e3a423c65a4ad4a85a7885b00716b46533.jpg https://image.nostr.build/dc4fbe15a7b46817d66bdbeb3d0e11851999b2c1292c576fd457956436e75c77.jpg https://image.nostr.build/73fa3b1b30a088954b342294e1b0aa555a693c3ad425dea9807d2238ec529747.jpg Long live analog photography! If you would like to do an artistic essay with analog photography with me, please contact me and I will be happy to schedule the service. https://davipinheiro.com/fotografia-analogica/ For you: nostr:npub1pvn0tyrrrv86xpydzq6ppeyyuh3zut263m82emdfmydn37qa6x5qmh8khc nostr:npub17nd4yu9anyd3004pumgrtazaacujjxwzj36thtqsxskjy0r5urgqf6950x nostr:npub1xs3pwegdlsqjayn3dnhurgx6zjd04095nqjjd8vmf5ulgqytzenq9svtz9 nostr:npub1rl5s8caaq8vsjfhxnmmmguxryug2f2has0kg5gzedepzle8quncqn9patu nostr:npub1puufhwjns4742aqz5nv8e7pedszx0678muve9xxue8sd9xelzj8s8k5f6e nostr:npub1n33usycawfnc4yuwpqjraazt2jh62rxqk7pmf8cp0a9admr9dh3q68e37j